Frida Kahlo
“Allo-Portraits: inventing Deconstruction”, 56-67 in Frida Kahlo: A Life in Art. Arken, DK/Hatje Cantz 2013 This short article is the first I ever wrote on this artist who has fascinated me for years.



James Coleman
“Photograph” in “James Coleman”, 246-253. Madrid: Museo Nacional Centro de Arte Reina Sofía 2012





Ann Veronica Janssens
“Serendipity: The Miracle of Being Where You Are.” “Serendipity: le miracle d’etre où l’on est.” “Serendipiteit: het mirakel van te zijn waar je bent.”
In Ann Veronica Janssens, Serendipity, 11-32. Wiels: Centre d’Art Contemporain 2011


Towards the Other
Artist Statement, interview, Migratory Stories, Nothing is Missing
In Maria Veits, ed.Towards the Other: An Exhibition of Video Art About Migratory Culture, 15-65,State Museum of the History of Saint Petersburg 2011



Eija-Liisa Ahtila
“Liikkuva kuva rodistaa” “The Moving Image as Witness.” In Eija-Liisa Ahtila, Marian Ilmestys / The annunciation, 52-82.
Helsinki: Crystal Eye 2011


Seet van Hout
“Memory as Lace” (Dutch) “Herinneringen van kant”, (German) “Erinnerungen aus Spitze”)
In Seet van Hout, Red Greenhouse, 31–35. Bönen/Westfalen: Verlag Kettler GmbH 2011



Eija-Liisa Ahtila
“Eija-Liisa Ahtila.” In 100 Video Artists/100 Videoartistas, 46–49. Madrid, Spain: EXIT Publicaciones, 2010. (Spanish) “Eija-Liisa Ahtila.”
In 100 Video Artists/100 Videoartistas, trans. Pablo Nogueras and Paulino Serrano, 46–49. Madrid, Spain: EXIT Publicaciones, 2010


Betty Woodman
“Whispered Conversations.” In Betty Woodman, 19. Brescia, Italy: Galleria Massimo Minini, 2009 (Italian) “Conversazioni sussurrate.”
In Betty Woodman, trans. logoService, 18. Brescia, Italy, Galleria Massimo Minini, 2009



Francesca Woodman
“Marcel and Me: Woodman through Proust.” (Spanish) “Marcel y yo: Woodman a través de Proust.”Trans. Francisco Carpio.
In Francesca Woodman Retrospective, ed. Isabel Tejeda, 114-141. Murcia, Spain: Espacio AV, 2009
It was difficult to write about this artist. The link to Proust helped me.

Jesús Segura
“Forms of Movement.”
In Jesús Segura, Stereo, 9–16. Murcia, Spain: Murcia Cultural, 2007 ((Spanish) “Formas de Moviemento.” Transl. Nuria Navarro. In Jesús Segura, Stereo, 143–148. Murcia, Spain: Murcia Cultural, 2007)


Doris Salcedo
“Earth Aches: the Aesthetics of the Cut.”
In: Doris Salcedo: Shibboleth
London: Tate Modern Publishing, 2007, 40-63



Louise Bourgeois
“Anthropometamorphosis”: Forking Paths and Crystals in Louise Bourgeois’Philosophy of Temporality.” In Louise Bourgeois: La Sage Femme, Murcia: Murcia Cultural, 2007, 20-41.



Ann Veronica Janssens
“Inside the Polis.” In: Ann Veronica Janssens: An den Frühling.
For Museum Morsbroich Leverkusen. Köln: DuMont Literatur und Kunst Verlag 2007, 165-201.



Andres Serrano
“Los Cuerpos Barrocos y la ética de la percepción.”
In: Andres Serrano: El Dedo en La Llaga, edited by María Rubio Oliva, Madrid: ARTIUM de Alava, 2006: 17-44.



Marthe Wéry
“A l’Est d’Eden / East of Eden / Ten Oosten van Eden”
In ‘Marthe Wéry; Les couleurs du monochrome’. Tournai: Musée des Beaux-Arts, 2005: 35-104 and 119-127.



Eija-Liisa Ahtila
“What If … Exploring ‘Unnaturality’.”
In World Rush: _4 Artists, 30–37. Exhibition catalogue. Victoria, Australia: National Gallery of Victoria, 2004 (about The House)



Artists in Catalogue
“Strings Attached.” In Devil-may-care: The Nordic Pavillion at the 50th Venice Biennial 2003, eds. Anne Karin Jortveit and Andrea Kroksnes, 116–25. Oslo: Office for Contemporary Art Norway, 2003



Martijn Schuppers
“The Dissolution of the World.”
In Martijn Schuppers – Early Monograph: Paintings 1994–2002, 14–21. Amsterdam: Cato Publishers, 2002



Ken Aptekar
“Companion Portraits: A Collaborative Project by Rembrandt van Rijn and Ken Aptekar.” Exhibition brochure. New York: Pamela Auchincloss Project Space, May 2001, 1–4



Jeannette Christensen
“Points of Departure: Portraits of the Body’s Cover-up.”
In Jeannette Christensen / Kim Soo-Ja, 4–23. Exhibition catalogue. Feldbach, Austria: Kunsthalle Feldbach (Steirischer Herbst), 1999



Lili Dujourie
“Looking at the Other Side with Lili Dujourie.”
In The Fascinating Faces of Flanders: 58/98 Two Hours Wide or Two Hours Long, 188–92. Antwerp: City of Antwerp, 1998


Trine Søndergaard: Stasis
“Stasis: How to See”. Trine Søndergaard, Stasis, Ostfilfern, Germany: Hatje Cantz, 7-24, 2013
Nota Bene: this image, as the one next to it (Kahlo) is a detail from a larger plate.


Only So Far: Drawing the Line, or Not
“Only So Far: Drawing the Line, or Not” “Fins a cert límit: traçar la línia… o no” “Hasta cierto límite: dibujar la línea, o no” 197-223, Davant l’horitsó, Barcelona: Fundació Joan Miró, 2013



Waiting for the political moment
“Waiting for the political moment” “À espero do momento político” “I väntan på det politiska ögonblicket” 79-128
in Doris Salcedo, Plegaria Muda. Moderna Museet Malmö, Sweden; CAM - Fundaçao Calouste Gulbenkian Lisboa, Portugal 2011



Louise Bourgeois
“Fighting, Cutting, Crossing Him Out: Stripes Against Volume.”
In Laurie Cluitmans and Arnisa Zeqo, eds. He Disappeared Into Complete Silence: Rereading of a Single Artwork by Louise Bourgeois, 73-82.
Haarlem: De Hallen


Jussi Niva
“Timely Remains.”
In Jussi Niva: Timely Remains, 66–117.
Helsinki: Parvs Publishing, 2010



Ana Torfs
“Intertwined Dualities.” (German) “Verflochtene Dualitäten.” In Ana Torfs: Album/Tracks A + B, ed. Sabine Folie and Doris Krystof, 176–77, German 119–121 Düsseldorf: Kunstsammlung Nordrhein-Westfalen, 2010


Annelies Planteijdt
“Synesthesie: geur, klank, en andere zintuiglijke ervaringen.” In Annelies Planteijdt, 5-92. Nijmegen: Galerie Marzee, 2009 “Synesthesia: smell, sound, and other sensory experiences.” In Annelies Planteijdt, 5-92. Nijmegen: Galerie Marzee, 2009 read catalogue essay



Video Dreams
“Setting the Stage: The Subject Mise-en-scène” In Videodreams: Zwischen Cinematischem und Theatralischem, ed. Peter Pakesch, 28–49. Cologne: Walter König, 2004; revised and expanded version in Art of Projection, eds. Stan Douglas and Christopher Eamon, 167–181. Stuttgart: Hatje Cantz, 2009



Stan Douglas
“Re-: Killing Time.” In: Stan Douglas. Past Imperfect. Werke 1986 - 2007 English Translation: Stan Douglas. Past Imperfect: Works 1986 - 2007. Edited by Hans D. Christ and Iris Dressler, Württembergischen Kunstverein Stuttgart and the Staatsgalerie Stuttgart. Stuttgart: Hatje Cantz, 2007, 64-93



Olafur Eliasson
“Light Politics”
In: Take Your Time Olafur Eliasson. Edited by Madeleine Grynsztejn. San Francisco Museum of Modern Art. New York & London: Thames and Hudson (2007), 153-182


Anna Fox
“Zwarte Piet’s Bal Masqué.” In Zwarte Piet, Anna Fox, 1–11. London: Black Dog Publishing, 1999; reprinted in Anna Fox: Photographs 1983–2007, ed. Val Williams, 107–119. Brighton, UK: Photoworks, 2007



Melvin Moti
“Invisible Art, Hypervisibility, and the Aesthetics of Everyday Life.” In: Nichts / Nothing, Martina Weinhart and Max Hollein (eds.), 81-104. Schirn Kunsthalle Frankfurt, Frankfurt 2006



Peter Friedl
“De-Centering: The Fragility of Mastery”
In ‘Peter Friedl: Work 1964-2006’, edited by Bartomeu Marí. Barcelona: MACBA (Museu d’Art Contemporani de Barcelone), 2006, 79-110



Ann Veronica Janssens
“Bodily Light / Lichaamslicht” In De Verbeelding Pavilion in Zeewolde, 6 July 2002. In ‘Look and Feel: art landscape nature 2002-2003’, Zeewolde: De Verbeelding art landscape nature, 2004: 56-60.



Seet van Hout
“Matter and Memory / Materie en geheugen.”
In Seet van Hout: Rood draad – Red Thread, 6–25. Staphorst, the Netherlands: Hein Elferink, 2004



Women Who Ruled
“Women as the Topic.” In Women Who Ruled: Queens, Goddesses, Amazons in Renaissance and Baroque Art, ed. Annette Dixon, 61–96. University of Michigan Museum of Art, 2002



George Deem
“George Deem & Peter Angelo Simon: Timely Conversation.” In George Deem & Peter Angelo Simon: Paintings & Photographs in Conversation, intro by John W. Streetman III, 4–40. In: Evansville Museum of Arts and Science, 2001



Louise Bourgeois
“Beckoning Bernini.”
In Louise Bourgeois: Memory and Architecture, 75–85.
Madrid: Museo Nacional Reina Sofía, 2000



David Reed
“David Reed’s #275: A Story of Erotic Vision.”
In David Reed Paintings: Moving Pictures, 36–49. San Diego, CA: Museum of Contemporary Art San Diego, 1998



Ken Aptekar
“Larger than Life: Reading the Corcoran Collection.”
In Ken Aptekar: Talking to Pictures, 5–12. Washington, D.C.: Corcoran Gallery of Art, 1997



Edwin Janssen
“Imagination: manifestations of narcissism.” In Edwin Janssen, Narcissus en de poel des verderfs / Narcissus and the Pool of Corruption, 33–50. Rotterdam: Museum Boijmans Van Beuningen, 1994



Charlotte van Pallandt
“De verbeelding van vrouwen.”
In Cahier Charlotte van Pallandt, 39–56. Scheveningen, the Netherlands: Museum Beelden aan zee, 1995