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Exhibition as a Syntax of the Face
“Exhibition as a Syntax of the Face.” Manifesta Journal: Journal of Contemporary Curatorship 9 (2009-2010): 13-22

Becoming of the World versus Identity Politics
“Becoming of the World versus Identity Politics.” Nordlit: Tidsskrift i litteratur og kultur 24 (2009): 9-30

The Commitment to Face
“The Commitment to Face.” In Commitment and Complicity in Cultural Theory & Practice, eds. Begüm Özden Firat, Sarah De Mul and Sonja van Wichelen, 120-136. Basingstoke: Macmillan, 2009

Narrating Art? Some Discontinuous Reflections
“Narrating Art? Some Discontinuous Reflections”. In 10,000 Francs Reward (The Contemporary Art Museum, Dead or Alive), eds. Manuel Borja-Villel, Yolanda Romero, Francisco Baena et al, 121-139. Barcelona: Actar D (BNV Producciones), 2009

(Spanish) “¿Arte Narrativo? Reflexiones Discontinuas”
Lecture published in 10,000 Francs Reward (The Contemporary Art Museum, Dead or Alive), the publication of the proceedings of the event of the same name, run by the Association of Contemporary Art Directors of Spain (ADACE) and organised by the Ministry of Culture, the State Corporation for Spanish Cultural Actions Abroad (SEACEX and the International University of Andalusia) UNIA artandthinking.

Working with Concepts
Bal, Mieke(2009)’Working with Concepts’,European Journal of English Studies,13:1,13 — 23 read article here (limited access)

Response: Ariel Dorfman’s Quest for Responsibility
“Response: Ariel Dorfman’s Quest for Responsibility.” Art Bulletin, 41, no. 1 (2009): 44-50 read article here (limited access)


Lesbarkeit der Kultur
“Lesbarkeit der Kultur” In Bibel als Literatur, eds. Hans-Peter Schmidt and Daniel Weidner, 281-306.München: Wilhelm Fink Verlag, 2008

Visual Analysis
“Visual Analysis.” In The SAGE Handbook of Cultural Analysis, eds. Tony Bennett and John Frow, 163-184. London: SAGE Publications, 2008

“Heterochronotopia.” In Migratory Settings, eds. Murat Aydemir and Alex Rotas, 35–56. Amsterdam and New York: Rodopi, 2008

“Mélanges.” In Literature and Beyond: Festschrift for Willem G. Weststeijn on the Occasion of his 65th Birthday, eds. Eric de Haard, Wim Honselaar and Jenny Stelleman, 65–91. Amsterdam: Pegasus, 2008

Migratory Terrorism
Migratory Terrorism. In Mind the Screen: Media Concepts According to Thomas Elsaesser. Eds Kooijman, Jaap, Patricia Pisters and Wanda Strauven. Amsterdam: Amsterdam University Press, 2008, 297-309

Research Practice: New Words on Cold Cases
Research Practice: New Words on Cold Cases. In What is Research in the Visual Arts: Obsession, Archive, Encounter, eds. Michael Ann Holly and Marquard Smith, 196-211. Williamstown MA: Sterling and Francine Clark Art Institute, 2008

Beautiful Suffering: La douleur des images
Beautiful Suffering: La douleur des images. In Face au Réel: Éthique de la forme dans l’art contemporain. Eds: Careri, Giovanni and Bernhard Rüdiger. Lyon: Archibooks + Sautereau Éditeur, 2008

Gemengde Gevoelens
Gemengde Gevoelens. In Denkwerk: Cahier EAJ. Uitgave in het kader van het Programma Een Ander Justitie, Den Haag: Ministerie van Justitie, 2008, 118-133

Double Movement
Double Movement. In 2MOVE: Video Art Migration. Mieke Bal, Miguel Á. Hernández-Navarro. Murcia: Cendeac, 2008, 13-82 read article here

Revised versions:
“Migratory Aesthetics: Double Movement.” EXIT, no. 32 (2008): 150–161
(Spanish) “Estéticas migratorias: Movimiento doble.” EXIT, no. 32 (2008): 138–149

Exhibition as Film
Exhibition as Film. In (Re)Visualizing National History: Museums and National Identities in Europe in the New Millennium. Ed Robin Ostow. Toronto: Univerisity of Toronto Press, 2008, 15-47

Phantom Sentences
Phantom Sentences. In Phantom Sentences: Essays in linguistics and literature presented to Ann Banfield. Eds Kawashima, Robert S., Gilles Philippe and Thelma Sowley. Bern: Peter Lang, 2008, 17-42


Loving Yusuf: A Story of Taboos
Loving Yusuf: A Story of Taboos. In: Hecate: An Interdisciplinary Journal of Women’s Liberation, vol. 33 no. 2, 2007, 14-30

A Thousand and One Voices
A Thousand and One Voices. In: the Amsterdam International Electronic Journal for Cultural Narratology (AJCN), No 4 autumn 2007. Read the article online at the AJCN website.

Far Encounters: Looking Desire
Far Encounters: Looking Desire. In Ways of Seeing, Ways of Speaking. Eds Fleckenstein, Kristie S., Sue Hum and Linda T. Calendrillo. West Lafayette: Parlor Press LLC, 2007, 179-202

Reading, Writing, Filming, Dreaming, Dressing
“Reading, Writing, Filming, Dreaming, Dressing.” In Art History: About Mieke Bal, edited by Deborah Cherry, Oxford, UK: Blackwell (June 2007), 406-417 (with Michael Ann Holly) read article here (limited access)

What If? The Language of Affect
What If? The Language of Affect. In In(ter)discipline: New Languages for Criticism. Eds Beer, Gilliam, Malcolm Bowie and Beate Perrey. London: Modern Humanities Research Association and Maney Publishing, 2007, 6-24

Lost in Space, Lost in the Library
Lost in Space, Lost in the Library. In: Essays in Migratory Aesthetics. Eds Sam Durrant and Catherine Lord, No 17, 2007, 23-36 read article here (limited access)

From Cultural Studies to Cultural Analysis
In: Kritische Berichte: Zeitschrift für Kunst- und Kulturwissenschaften. Volume 2, 2007, 33-44

Lost in Space: the Violence of Language
In: Interpretations: European Research Project for Poetics and Hermeneutics. Volume No. 1 Violence and Art, ed. Kata Kulavkova. Skopje: Macedonian Academy of Sciences and Arts 2007, 53-68

Women’s Rembrandt
Women’s Rembrandt. In: Museums After Modernism: Strategies of Engagement. Eds Griselda Pollock and Joyce Zemans. Oxford: Blackwell 2007, 40-69

Exhibition as Film
Exhibition as Film. In: Exhibition Experiments. Eds Sharon MacDonald and Paul Basu. Oxford: Blackwell Publishing 2007, 71-93

Translating Translation
Journal of Visual Culture, Volume 6 number 1 April 2007
Edited by Joanne Morra and Mieke Bal
Mieke Bal article ‘Translating Translation’ pp. 109-124 read article here (limited access)

Migratory Aesthetics
Another Publication, piet zwart institute
Another publication is a book project around the manifold perspectives on otherness. Magnanimous in its ubiquitous applications, the ‘other’ floats between different points of view. The aim of this publication is to bind together different proposals, as a strategy to approach this somewhat bankrupt term. Twelve writers were invited to contibute a text on this subject, each writing a preface to a possible book.

Mieke Bal preface ‘Migratory Aesthetics’ 13-19
Beautiful Suffering: Photography and the Traffic in Pain.

The Pain of Images - Mieke Bal p. 93 - 115 In: Beautiful Suffering: Photography and the Traffic in Pain. Reinhardt, Mark, Holly Edwards, and Erina Duganne, editors Co-published with Williams College Museum of Art. 216 p., 74 color plates, 16 figures. 10-1/2 x 9-1/2 2006

Also translated into Spanish: “El arte contemporáneo y el mundo: el dolor de las imágines.” 145-181 in Cuerpo y mirada, huellas del siglo XX, Edición a cargo de Aurora Fernández Polanco. Madrid: Museo nacional Centro de Arte Reina Sofía 2007


From Sub- to Suprasemiotic: The Sign as Event
“From Sub- to Suprasemiotic: The Sign as Event.” In Images: a Reader, eds. Sunil Manghani, Arthur Piper, and Jon Simons, 115-118. London: SAGE Publications, 2006 read article here

Facing Severance
Facing Severance. In: Intermédialités, ed. Johanne Villeneuve, No 8 Automne 2006, 189-210 read article here

Amsterdam International Electronic Journal for Cultural Narratology (AJCN), issue autumn 2006
Read Mieke’s article in the Amsterdam International Electronic Journal for Cultural Narratology (AJCN), issue autumn 2006:
LOOPS & GAPS: Video as Entrance into the Unknown

Lepljive podobe: krcenje casovne dimenzije v umetnosti trajana
(Sticky images: the foreshortening of time in an art of duration)
Likovne Besede (Art Words) poletje/summer 2006, 39-51, Ljubljana: Union of the Slovene Fine Artists Associations, 2006

Affekt als kulturelle Kraft
In Affekte. Analysen ästhetisch-medialer Prozesse. Hg.: Antje Krause-Wahl, Heike Oehlschlägel, Serjoscha Wiemer, Einleitung 7-19. Bielefeld: transcript Verlag, 2006

Metaphoring: Making a Niche of Negative Space
In Metaphoricity and the Politics of Mobility, ed. Maria Margaroni, Effie Yiannopoulou,159-180.
Amsterdam-New York: Editions Rodopi B.V., 2006

Dreaming Art
In ‘Psychoanlaysis and the Image’, edited by Griselda Pollock, 30-59,
Oxford, UK etc.: Blackwell Publishing, 2006.

Faithfully Submitted: The Logic of the Signature in Marcel Proust’s ‘A la recherche’
In ‘Sign Here! Handwriting in the Age of New Media’, Sonja Neef, José van Dijck, and Eric Ketelaar (eds.), 150-163. Amsterdam: Amsterdam University Press, 2006.

Erste Person, zweite Person, dieselbe Person. Zum Verhältnis von Ausstellen und Beschreiben aus narratologischer Sicht
In ‘Narration und Geschlecht. Texte - Medien - Episteme’. Edited by Sigrid Nieberle and Elisabeth Strowick, 283-314. Köln, Weimar, Wien: Böhlau Verlag, 2006.

Aestheticizing Catastrophe
In ‘Reading Charlotte Salomon’, edited by Michael P. Steinberg and Monica Bohm-Duchen, 167-193. Ithaca and London: Cornell University Press, 2006.


The Commitment to Look
In Journal of Visual Culture, no. 4 (2005): 145-162. read article here (limited access)

In ‘The Artemisia Files: Artemisia Gentileschi for Feminists and Other Thinking People’, edited by Mieke Bal, ix-xxv. Chicago: University of Chicago Press, 2005.

Grounds of Comparison
In ‘The Artemisia Files: Artemisia Gentileschi for Feminists and Other Thinking People’, edited by Mieke Bal, 129-168. Chicago: University of Chicago Press, 2005.

Food, Form, and Visibility: Glub and the Aesthetics of Everyday Life
Postcolonial Studies, 8:1, 2005: 51-77. read article here (limited access)
Reprinted in ‘Enigma Objekta ? Zbornik teorijskih tekstova’, edited by Gordan Karabogdan and Nikica Klobucar, 9-23. Zagreb: I.T.GRAF, 2005.

To Read a Picture
In ‘The J. Hillis Miller Reader’, edited by Julian Wolfreys, 82-88. Edinburgh: Edinburgh University Press, 2005.

Interdisciplinary Approaches to Narrative
In ‘Encyclopedia of Narrative Theory’, edited by David Herman, Manfred Jahn, and Marie-Laure Ryan, 250-252. London and New York: Routledge, 2005.

Visual Narrativity
In ‘Encyclopedia of Narrative Theory’, edited by David Herman, Manfred Jahn, and Marie-Laure Ryan, 629-633. London and New York: Routledge, 2005.

The Violence of Gender
In ‘A Companion to Gender Studies’, edited by Philomena Essed, David Theo Goldberg, and Audrey Kobayashi, 530-43. Malden, Oxford, Carlton: Blackwell Publishing, 2005.

L’éthique de la description
dans ‘Les Lieux du réalisme. Pour Philippe Hamon’. Études réunies et présentées par Vincent Jouve et Alain Pagès avec la collaboration de Boris Lyon-Caen et Alexandrine Viboud. Paris, Éditions L’improviste / Presses de la Sorbonne Nouvelle, 146-157.


Critique of Voice. The Open Score of Her Face
In ‘Analysieren als Deuten. Wolf Schmid zum 60. Geburtstag’, edited by Lazar Fleishman, Christine Gölz, and Aage A. Hansen-Löve, 31-51. Hamburg: Hamburg University Press, 2004.

Light Writing: Portraiture in a Post-Traumatic Age
In ‘The Photograph’, Special Issue of Mosaic (A Journal for the Interdisciplinary Study of Literature), edited by Dawne McCance, 27:4, 2004: 1-19.

PMLA (Publication of the Modern Language Association of America) 119: 5, 2004: 1289-1292.

Akte des Schauens: Proust und die visuelle Kultur
In ‘Marcel Proust und die Künste’, edited by Wolfram Nitsch and Riner Zaiser, 90-111; translated by Maria Imhof and Kirsten Kramer. Insel Verlag: Frankfurt am Main and Leipzig, 2004.

Over-writing as Un-writing: Descriptions, World-Making, and Novelistic Time
In ‘Narrative Theory: Critical Concepts in Literary and Cultural Studies’, volume I, edited by Mieke Bal, 341-388. London and New York: Routledge, 2004.

Religious Canon and Literary Identity
In ‘Literary Canons and Religious Identities’, edited by Erik Borgman, Bart Philipsen, and Lea Verstricht, 9-32. Aldershot: Ashgate, 2004.

Telling Objects: A Narrative Perspective on Collecting
In ‘Grasping the World: The Idea of the Museum’, edited by Donald Preziosi and Claire Farago, 84-102. Aldershot: Ashgate, 2004.

Exposing the Public
In ‘Die Spur durch den Spiegel: Der Film in der Kultur der Moderne’, edited by Malte Hagener, Johann N. Schmidt, and Michael Wedel, 51-64. Berlin: Bertz-Verlag, 2004. Reprinted in ‘A companion to Museum Studies’, edited by Sharon Macdonald, 525-542. New York and Oxford: Blackwell, 2006, selected as a Choice Outstanding Academic Book of 2007


Meanwhile: Literature in an Expanded Field
In ‘Africa and its Significant Others: Forty Years of Intercultural Entanglement’, edited by Isabel Hoving, Frans-Willem Korsten, and Ernst van Alphen: ‘Thamyris Intersecting: Place, Sex and Race’, 11, 2003: 183-198. read article here (limited access)

Cultuur en traditie
In ‘Denken over cultuur’, edited by Peter van Zilfhout, 225-55. Heerlen: Open Universiteit Nederland, 2003.

Embracing the Horizon
In ‘Cultural History: Straddling Borders. John Neubauer zum 70. Geburtstag’, Special Issue of arcadia (International Journal of Literary Studies), edited by Mieke Bal and Jan van Luxemburg, 38:2, 2003: 414-18.

De droom als theater: De droomduiding in het licht van hedendaagse cultuurstudies
In ‘De droomduiding herdacht: Essays over cultuuronderzoek en psychoanalyse’, edited by Mieke Taat, 93-107. Amsterdam: Uitgeverij Boom, 2003.

Mieke Bal’s Reply to the Responses to Her Article ‘Visual Essentialism and the Object of Visual Culture’ (Journal of Visual Culture 2:1, 2003: 5-32)
‘Journal of Visual Culture’ 2:2, 2003: 260-68. Translated into Spanish by Carolina Díaz, David García Casado, and María Teresa Tellechea: ‘Respuesta Las Respuestas’. In ‘Estudios Visuales’ 2, 2004: 97-107. read article here (limited access)

In ‘Mirror or Mask: Self-representation in the Modern Age’, number 11 of ‘Berliner Theaterwissenschaft’, edited by David Blostein and Pia Kleber, 11-43. Berlin: VISTAS Verlag, 2003.

Meanwhile: Literature in an Expanded Field
AUMLA (Journal of the Australasian Universities Language & Literature Association) 99, 2003: 1-22.

Sich verzweigende Pfade und Kristalle in Louise Bourgeois? Philosophie der Temporalität/Anthropometamorphosis: Forking Paths and Crystals in Louise Bourgeois? Philosophy of Temporality
In ‘Louise Bourgeois: Intime Abstraktionen/Louise Bourgeois: Intimate Abstractions, edited by Beatrice E. Stammer, et al., 116-44. Berlin: Akademie der Künste, 2003.

Her Majesty’s Masters
In ‘The Art Historian: National Traditions and Institutional Practices’, edited by Michael F. Zimmermann, 81-109. Williamstown, MA: Sterling and Francine Clark Art Institute, 2003.

Critique of Voice: The Open Score of her Face
In ‘Travelling Concepts III: Memory, Narrative, Image’, edited by Nancy Pedri, 91-114. Amsterdam: ASCA Press, 2003.

Autotopography: Louise Bourgeois as Builder
In ‘Interfaces: Women, Autobiography, Image, Performance’, edited by Sidonie Smith and Julia Watson, 163-185. Ann Arbor: University of Michigan Press, 2003. (an earlier version of this essay appeared as ‘Narrative Inside Out’ in ‘Oxford Art Journal’ [see below]; this essay, with minor differences, first appeared in ‘Biography’ [see below])

From Cultural Studies to Cultural Analysis: A Controlled Reflection on the Formation of Method
In ‘Interrogating Cultural Studies: Theory, Politics and Practice’, edited by Paul Bowman, 30-40. London: Pluto Press, 2003. read article here

Norman Bryson, British Historian of Art and Visual Culture
In ‘Key Writers on Art: The Twentieth Century’, edited by Chris Murray, 62-68. London and New York: Routledge, 2003.

Visual Essentialism and the Object of Visual Culture
Journal of Visual Culture 2:1, 2003: 5-32. read article here (limited access)
Translated by Carolina Díaz, David García Casado, María Teresa Tellechea into Spanish: ‘El Esencialismo Visual Y El Objeto de los Estudios Visuales’. In Estudios Visuales 2, 2004: 11-49. Translated by Csáky Marianne Fordítása into Hungarian: ‘Vizuális esszencializmus és a vizuális kultúra tárgya’. In Enigma 41, 2004: 86-116.


Autotopography: Louise Bourgeois as Builder
Biography: An Interdisciplinary Quarterly 25:1, 2002: 180-202. read article here

Descrizioni, costruzione di mondi e tempo della narrazione
In ‘Il romanzo’, Volume II: Le Forme, edited by Franco Moretti, 189-224. Milan: Einaudi, 2002.

The Genius of Rome: Putting Things Together
Journal of Visual Culture 1:1, 2002: 25-45. read article here (limited access)

Der Rembrandt der Frauen
In ‘Korrespondenzen: Visuelle Kulturen zwischen Früher Neuzeit und Gegenwart’, edited by Matthias Bickenbach and Axel Fliethmann, 27-54. Cologne: DuMont Literatur und Kunst Verlag, 2002.


Enfolding Feminism
In ‘Feminist Consequences: Theory for the New Century’, edited by Elisabeth Bronfen and Misha Kavka, 321-52. New York: Columbia University Press, 2001.

Auf die Haut / Unter die Haut: Barockes steigt an die Oberfläche
In ‘Barock: Neue Sichtweisen einer Epoche’, edited by Peter J. Burgard, 17-51. Vienna; Cologne; Weimar: Böhlau Verlag, 2001.

Yesterday Isn’t What It Used to Be
‘Documents’ 21, 2001/2002: 11-23.

Fragmented Bodies
In ‘Louise Bourgeois? Spider: The Architecture of Art-Writing’, translated by Petr and Olga Serebriany. Novy Mir Isskustva (The New World of Art), 23, (St. Petersburg) 2001: 24-28.

Dreaming Art
‘Um_ní - Art’ (Journal of the Institute for Art History of the Academy of Sciences of the Czech Republic), 5:XLIX, 2001: 370-83.

Prosthetic Poetics
In ‘Homo Orthopedicus: le corps et ses prothèses à l?époque (post)moderniste’, edited by Nathalie Roelens and Wanda Strauven, 139-66. Paris; Budapest; Turin: L?Harmattan, 2001.

Mise en scène: Zur Inszenierung von Subjektivität
In ‘Ästhetik der Inszenieurung. Dimensionen eines künstlerischen, kulturellen und gesellschaftlichen Phänomens’, edited by Josef Früchtl and Jörg Zimmermann, translated by Sonja Neef, 198-221. Frankfurt am Main: Suhrkamp Verlag, 2001.

Jeannette Christensen
‘Likovne besede - Artwords’, 57:58, 2001: 98-102.

Legal Lust: Literary Litigations
‘The Australian Feminist Law Journal’ (Special Issue: ‘Writing Against Legal Racism: Law and Literature Explorations’), edited by Judith Grbich and Peter Hutchings, 2001: 1-22.

Postmodern Theology as Cultural Analysis
In ‘The Blackwell Companion to Postmodern Theology’, edited by Graham Ward, 3-23. Oxford: Blackwell, 2001.

Pour une histoire pervertie
In ‘Résurgences baroques: les trajectoires d?un processus transculturel’, edited by Nicolas Goyer and Walter Moser, 61-88. Brussels: Éditions de la Lettre Volée, 2001.

La répétition, la tête dans les nuages / Rehearsal, Head in the Clouds
In ‘Action, on tourne / Action, We?re Filming’, edited by Laurence Gateau, 34-73. Nice: Villa Arson, 2001.

Voix/voie narrative: la voix métaphorée
In ‘La Voix Narrative: Cahier de Narratologie’, 1:10, edited by Jean-Louis Brau, 9-36. Nice: Centre de Narratologie Appliquée, 2001.

Mission Impossible: Postcards, Pictures, and Parasites
In ‘Religion and Media’, edited by Hent de Vries and Samuel Weber, 241-68. Stanford: Stanford University Press, 2001.

Introduction: Travelling Concepts and Cultural Analysis
In ‘Travelling Concepts: Text, Subjectivity, Hybridity’, edited by Joyce Goggin and Sonja Neef, 7-25. Amsterdam: ASCA Press, 2001.

Performance and Performativity, Lier en Boog
Special Issue ‘Exploding Aesthetics’, edited by Annette W. Balkema and Henk Slager, 16, 2001: 108-24.

Expanded version in: ‘Kultur-Analysen’
(Interventionen 10), edited by Jörg Huber, 197-241. Zurich: Instituts für Theorie der Gestaltung und Kunst an der Hochschule für Gestaltung und Kunst & Edition Voldemeer, 2001.

Three-Way Misreading
‘Diacritics’, 30:1, 2001: 2-24. read article here (limited access)


Pour une interprétation intempestive
In ‘Où en est l’interprétation de l’oeuvre d’art”, edited by Régis Michel, 239-67. Paris: Musée du Louvre and École Nationale Supérieure des Beaux-Arts, 2000.

In ‘Encyclopedia of Feminist Theories’, edited by Lorraine Code, 244-45. London: Routledge, 2000.

In ‘Encyclopedia of Feminist Theories’, edited by Lorraine Code, 357-59. London: Routledge, 2000.

Poetics, Today
‘Poetics Today’ (Special Issue ‘Harshav Festschrift’) 21:3, 2000: 479-502. read article here (limited access)

Fantasy and the Mirror of Nature
In ‘Imagination und Wirklichkeit: Zum Verhältnis von mentalen und realen Bildern in der Kunst der frühen Neuzeit’, edited by Klaus Krüger and Alessandro Nova, 183-94. Mainz: Verlag Philipp von Zabern, 2000.

Ecstatic Aesthetics: Metaphoring Bernini
In ‘Critical Issues’ series 4/2000 of ‘Artspace Visual Art Centre Sydney’, Monograph.
Revised version in: ‘Compelling Visuality: The Work of Art in and out of History’, edited by Claire Farago and Robert Zwijnenberg, 1-30. Minneapolis; London: University of Minnesota Press, 2003.

Religious Canon and Literary Identity
Plenary Lecture at 10th Conference of the ‘Society for Literature and Religion’: ‘Literary Canon and Religious Identity’, University of Nijmegen, 2000.
‘European Electronic Journal for Feminist Exegesis’, 2:2000 (no page numbers).

Visual Narrativity
In ‘The Visual-Narrative Matrix: Interdisciplinary Collisions and Collusions’, edited by Graham Coulter-Smith, 7-16. Southampton: Southampton Institute, 2000.

Sticky Images: the Foreshortening of Time in an Art of Duration
In ‘Time and the Image’, edited by Carolyn Bailey Gill, 79-99. Manchester: Manchester University Press, 2000.

Memory Acts: Performing Subjectivity
‘Performance Research’, 5:3, 2000: 102-14. read article here

The Spirit as Parasite
‘Western Humanities Review’ (Special Issue ‘Text and Spirit’, from the Tanner Lectures on Human Values of Western Humanities) LIII:4, 1999/2000: 315-35.

Crossroad Theory and Travelling Concepts: From Cultural Studies to Cultural Analysis
In ‘The Future of Cultural Studies: Essays in Honour of Joris Vlasselaers’, edited by Jan Baetens and José Lambert, 3-21. Leuven: Leuven University Press, 2000.